Conference program
Music in the Age of Streaming / IASPM Norden & Evolving Bildung joint online conference 16–17 June 2020 (hosted by Luleå University of Technology)
| Time (UTC +2 / Stockholm) | Activity | More information |
| Tuesday June 16 | ||
| 09.00-09.25 | Welcome and practical information | IASPM Norden & The LTU research project Evolving Bildung . . . |
| 09.30-10.30 | Keynote 1
| Music on (and in) demand: Negotiating and competing in streaming
Yngvar Kjus & Anja Nylund Hagen |
| 10.30-10.45 | Break | |
| 10.45-11.15 | Session 1 | Lost in the Stream. Concept album in the age of streaming Mattia Merlini |
| 11.25-11.55 | Listening Upstream: Against the Quietness of a Single Musical Interpretation Carl Holmgren | |
| 12.00-12.30 | Negotiated and redefined meanings of classical music when symphony orchestra concerts are provided by streaming services Åsa Bergman | |
| 12.30-13.30 | Lunch | |
| 13.30-14.00 | Session 2 | Stylistic shifts effected by streaming services such as Spotify
Veronika Muchitsch |
| 14.05-14.35 | Streaming genre – abstraction and singularization in digital music distribution
Mads Krogh | |
| 14.40-15.10 | Music and affection: the revolt and resentment in the punk art. Streams as movements.
João Augusto Neves Pires | |
| 15.10-15.15 | Break | |
| 15.15-15.45 | Session 3 | Listening through music streaming services and the construction of data subjects. A psycho politic of sound. Max Alt |
| 15.50-16.20 | Archiving in the Age of Streaming
Thomas Bårdsen
Datafication and the Push for Ubiquitous Listening in Music Streaming
Rasmus Rex Pedersen | |
| 16.25-16.55 | Spotification of Popular Communication - State of the art.
Patrick Burkart | |
| 16.55-17.15 | Break | |
| 17.15-18.15 | Panel
| Networked Performance in Intercultural Music Creation
Stefan Östersjö David Hebert Thanh Thuy Henrik Frisk |
| Wednesday June 17 | ||
| 9.00-10.00 | Keynote 2 | Artist keynote: The Worst Gig Ever? The Unredeemeed Possibilities of Live Streaming
Pekko Käppi |
| 10.00-10.15 | Break | |
| 10.15-10.45 | Session 4 | Authentication, datafication, and platformization in the Australian popular music industries
Ben Morgan |
| 10.50-11.20 | Music-making and intersectional streaming in Swedish hip-hop
Andrea Dankić | |
| 11.25-11.55 | A comparative study of professional music production methods in the age of streaming
Jan-Olof Gullö David Thyrén | |
| 12.00-13.00 | Lunch | |
| 13.00-13.30 | Session 5
| Music History in the Deep Field of Digital Music Platforms Andreas Helles Pedersen |
| Novelty in Automatic Music Recommendation Platforms: Is historical data enough? Rodrigo Borges | ||
| 14.05-14.40 | An algorithm and interface perspective on why access to unlimited amounts of music does not seem to foster musical diversity
Arnt Maasø and Hendrik Storstein Spiker | |
| Break | ||
| 15.00-15.35 | Session 6 | Becoming (musical) woman – virtual femininity beyond gender in the interplay with Spotify
Cecilia Ferm Almqvist |
| 15.35-16.10 | Having the right to soundscape the world Camilla Jonasson | |
| 16:10-16.45 | Confluent Streams: The Sonic-Flows of Lækurinn in Post-Wild Iceland Konstantine Vlasis | |
| 16.45-17.00 | Break | |
| 17.00-18.00 | Symposia | Evolving Bildung in the nexus of streaming services, art and users – Spotify as a case Patrick Burkart at al
Conference evaluation and closing
|